Eight photographs, plainly captioned
The eight photographs run in four acts — establishing, detail, people-free process and the desk — with two full-bleed stills cutting between them. Every caption says what its photograph shows and nothing more, and not one frame on this page contains a person.
Act 01
Establishing
Two wide views taken before anybody sits down: the console as it is left at the end of a day, and the corner the mix is judged from.
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ConsoleA large-format console photographed low from one end, so the channel strips run away from the lens towards the monitor at the far side. The talkback microphone is folded down and every fader is where the last session left it. -
MonitorsA white-cone near-field monitor standing on top of a red speaker, with wood panelling behind, orange patch cables hanging in the rack and a pair of headphones put down on the desk edge. It is the corner of a room that a mix is listened to from.
Act 02
Detail
Two photographs taken close enough that the equipment stops being an item on a list and becomes a surface.
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CondenserA condenser microphone suspended in its shock mount against a dark wall, with the stand arm just visible below it. It is photographed where it was set up rather than on a table for the camera. -
Red roomA vintage console in a control room painted deep red, with the monitors standing on its bridge, patch cables looped down the side and two small windows through to the rooms beyond. Nothing has been moved for the photograph.
BreakOne control room filling the whole frame: a purple-lit ceiling, cream acoustic panels, four monitors on their stands and the angled desk of outboard units between them. It is the room seen from the doorway, the way nobody working in it ever looks at it.
Act 03
People-free process
Two stages of a recording with nobody in them, photographed where the work was left.
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Channel stripsA very large console photographed along its length from the armrest, the red and blue caps repeating until the strips blur. At this distance the desk reads as a pattern rather than as a piece of equipment. -
MicrophoneA silver condenser in a wire spider mount with the pop filter set in front of it, photographed against black. The filter is at the distance a singer would stand, before the first take is recorded.
BreakThe meter bridge in the dark with only its own blue light on it, and a desk remote left in front. It is the control room after the last playback, when the meters are still on and nobody is listening.
Act 04
Desk
Two photographs of the working surface itself: the screen a session is edited on, and the faders it is mixed with.
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Editing deskA laptop raised on a stand over a lit controller and a keyboard, with a monitor on a wall arm beside it and red light on the wall behind. The photograph is taken from the chair rather than from above. -
Scribble stripVintage faders photographed close under a strip of tape with the channel names written on it by hand: overheads, bass, guitar and two vocals. It is the kind of label an engineer writes during a session and nobody else ever reads.
Contact
Ask what a recording like this costs
The photographs show the kind of rooms and equipment the studio uses, not a fixed package. The figure for a date and a scope is confirmed in writing before anything is agreed.